NEW YORK — America Ferrera bid a fond awards season farewell to “Barbie” on the Oscars red carpet Sunday in a stunning, sparkly Atelier Versace gown in the film’s signature pink, while Rita Moreno wore a huge smile and a statement black gown from Badgley Mischka.
“America Ferrera did bombshell right and gave us the cool Barbie pink moment we needed this whole time, aka it didn’t smack us over the head,” said Brooke Bobb, fashion news director for Harper’s Bazaar.
Hollywood’s big night in Los Angeles included few fashion risks, with many sticking to classic silhouettes, black and other standard colors. Others offered an under-the-sea-vibe in soft seafoam colors with mermaid crystals and shell-like designs.
Emma Stone was in the sea camp in a soft pastel strapless look with a faint shell pattern in mint and a wide peplum at the waist. It was Louis Vuitton. Hailee Steinfeld in Elie Saab was also sea-like in sheer ethereal blue-green with wings attached at the wrist. Lupita Nyong’o was sea-adjacent in feathers and sequins by Armani Privé.
RITA MORENO TAKES THE RED CARPET
Moreno, at 92, waved to photographers as she showed off her pleated taffeta and velvet gown. Brittany Snow offered a refreshing show of color in a bright strapless custom Mônot dress paired with a statement choker.
Cynthia Erivo, in custom Louis Vuitton, shut down the carpet in emerald green lamb leather, dinosaur-like spikes along the back of a large-shouldered jacket. Emily Blunt and hubby John Krasinski matched in off-white, she in Schiaparelli couture with shoulders that floated above her body, that extended silhouette touch a mini-trend of the night. Anya Taylor-Joy was full shell in a Dior Haute Couture strapless look in a sparkly scallop design.
DA’VINE JOY RANDOLPH IN LOUIS VUITTON
Da’Vine Roy Randolph, on the top of her fashion game this awards season, wore an A-line pale blue tulle gown from Louis Vuitton with oversized sleeves embellished with tulle fringe. Ariana Grande also went big in a puffy pink gown that also had huge sleeves on a matching coat.
InStyle beauty director Lauren Valenti lauded Randolph’s effort.
“I loved Da’Vine’s beauty homage to Mae West, which featured cat eyes, glossy lined lips and va-va-voom side-swept blonde waves,” she said.
Lavender had a moment on a few. So did Billie Eilish in a Chanel schoolgirl look with a black jacket, pattern skirt, white socks and black Mary Janes. She and others on the carpet wore red pins supporting a cease-fire in Gaza.
“This year in general, the power of the red carpet was driven by women whose confidence felt utterly authentic and not like an exercise in branding,” Bobb said. “Embracing personal style really is the only way to land on the best-dressed list these days.” The “Godzilla Minus One” group, meanwhile, showed up carrying toy monsters.
MOSTLY BLACK FOR THE MEN
Many men stuck to black in tuxedos and other looks, including a fashion star of the awards season, Colman Domingo in a double-breasted tuxedo look, a custom Louis Vuitton, paired with cowboy boots and a jewel at the center of his bow tie. He wore a pinkie ring that once belonged to the man behind his “Rustin” character, Bayard Rustin, as he has throughout awards season.
“I wanted to shine like a diamond″ he told E! “I’m having a great time.”
Speaking of gems, Lily Gladstone won the jewelry game. She paired her midnight blue velvet gown with a Bulgari necklace in white gold with turquoise touches and blue oval tanzanite at the center.
Her custom Gucci gown was created in collaboration with Indigenous designer Joe Big Mountain of Ironhorse Quillwork. It featured a hand-wrapped porcupine quilled border in blue with a natural woven star design and sterling silver-plated bead edging.
Ryan Gosling and Bradley Cooper also went for black tuxedos. Gosling wore Gucci with silver bead piping, and Cooper wore double-breasted in Louis Vuitton. No ties for either, along with others.
“Bradley Cooper tells Brad Pitt to move over by leaving his tie, and Gigi Hadid, at home and instead brought his tan, a double-breasted tux embellished with turquoise buttons and slicked hair that took my breath away,” said Larry Curran, an independent brand consultant who has worked with Saks Fifth Avenue and Bergdorf Goodman.
SANDRA HÜLLER STUNS IN SCHIAPARELLI
As for the women, Sandra Hüller was on Curran’s best-dressed list.
“Correctly, she skipped earrings and chose a diamond necklace (Cartier) that brought balance to the oversized, off-the-shoulder wings of the dress, and another sparkly embellishment placed in between them,” he said.
There was a predictable spray of sequins for the women. White looks also represented, including Kirsten Dunst in Gucci. There was lots of black for the women, too, including a custom Schiaparelli for Hüller with extended shoulders and the perfect fit.
Erika Alexander of “American Fiction” wore a white strapless gown with a black skirt trimmed in pastel tulle. The designer, Christian Siriano, said it was made in a miraculous four days.
VINTAGE MUGLER FOR LAVERNE COX
Laverne Cox, working the carpet for E!, was the epitome of Old Hollywood glam in an hourglass look of black and low-plunging gold, her hair piled high as she fluttered a feather-light neck piece that trailed behind. Her look was vintage Mugler.
Scott George, a member of the Osage Nation and the first Indigenous person to receive an Oscar nomination for best original song, was among the early arrivals in a gray look trimmed in green and purple, his tie in matching colors.
THE KIDS ARE ALRIGHT ON DRESS-UP NIGHT
A couple of little cuties in nominated short films were delighted to walk. Porché Brinker of “The Last Repair Shop” was in ethereal soft blue, and Juliet Donenfeld of “Red, White and Blue” looked all-the-way grown up in a blinged-out strapless dress.
Red, an “IT” color of the awards season, had some early enthusiasts as arrivals heated up.
Issa Rae, always a red carpet standout, failed to disappoint in plunging deep green from Ami Paris. The top sparkled.
“I am wearing green for good luck,” she said. “I wanted to feel old Hollywood.”
Julee Wilson, beauty editor at large for Cosmopolitan, praised Rae’s beauty look.
“Her sleek topknot and glowing skin are the perfect combo. Her hair was elegantly pulled away to showcase high shine skin. It sparkles,” she said. “I need to know what’s making it glow so much!”
Gabrielle Union wore another knockout, a strong silver embellished look from Carolina Herrera that offered an armor vibe.
