NEW YORK— Victoria Monét walked the Grammys red carpet Sunday in a bronze Versace goddess body-hugger, her adorable 2-year-old and fellow nominee, Hazel, in a matching color as music’s big night unfolded on the wildest and wackiest red carpet of awards season. Dua Lipa went for low-cut silver while Taylor Swift walked in classic white.
Swift, the last on the carpet, wore custom Schiaparelli Couture, working the train on her draped corset strapless look for the cameras. She accompanied the dress, which had a high side slit, with long velvet black gloves and multiple necklaces. Swift’s fans, always on the Easter egg hunt, saw nods to her Reputation era in her black and white look.
Monét’s custom corset look was stunning, strapless and symbolized Old Hollywood amid a sea of bold color, shimmer and shine at Crypto.com Arena in rain-drenched Los Angeles. Hazel, also in Versace, had a shy attack in the chaos, turning her head away from the cameras while in her mother’s arms.
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“I feel expensive,” said Monét, who finished off her look with a Bulgari serpent necklace.
Lipa’s look, by Courrèges, was all-around chunky embellishment with long sleeves and subtle cutouts at the hips. Around her neck was a Tiffany & Co. fish-like necklace of diamonds, orange sapphires and other gems. In all, it was 23 carats.If Monét was a Grammy statuette, Miley Cyrus was a golden warrior in a sheer, chain mesh look, her hair giving a ’70s bouffant vibe. It was custom Maison Margiela by John Galliano.
Bianca Betancourt, digital culture editor for Harper’s Bazaar, called Cyrus’ look the “type of over-the-top camp we love and want from the Grammys.”
Newcomer Tyla, meanwhile, “perfectly nailed her Grammys debut in a mint-green cutout gown from Versace that didn’t deter from the playful, sexy looks she regularly wears,” Betancourt said.
The favorite look of the night for Claire Stern, Elle’s digital director, wasn’t worn on the red carpet.
“It’s Miley Cyrus celebrating her first-ever Grammy win by performing ‘Flowers’ in a beaded Bob Mackie mini-dress,” she said.
Billie Eilish donned a Barbie jacket, a vintage piece reworked for her by Chrome Hearts. She was fresh from her win for her “Barbie” song “What Was I Made For?” during the non-televised Grammys Premiere ceremony ahead of the big show.
Bright yellows, pinks and on-trend reds were on display, though classic black was the choice for many. The ladies of boygenius, Julien Baker, Phoebe Bridgers, and Lucy Dacus, wore matching white Thom Browne tailored suits, their trousers and jackets cropped, with pink carnations on their lapels. Menswear for women was a mini-trend on the carpet.
“Much of the best menswear we saw on the carpet was worn by women. Boygenius in their stark white Thom Browne suits, Brandi Carlyle in a killer yellow ensemble with a silky pink blouse, Billie Eilish polishing off her Chrome Hearts look with a shirt and tie,” said Yang-Yi Goh, style editor at GQ.
Janelle Monáe, always a fashion standout, went classic in a Giorgio Armani Privé liquid sequined gown that plunged at the neck and had a large rosette at the waist.
“I’m feeling classic, timeless, futuristic,” Monáe told E!. “I’m standing in Black pride, in a state of joy.”
Some on the carpet definitely went wild, but there were far more traditional looks than usual for the Grammys.
“The Grammys seems to be in transition, at least fashion-wise. What used to be the loudest red carpet of the year was noticeably more subdued this year. On the one hand, that’s fantastic. It lets quieter looks shine. On the other hand, well, it’s the Grammys. A bit of bombast is always fun, after all,” said Jonathan Evans, style director for Esquire.
Self-expression was still the name of the Grammys fashion game. Slipknot’s Sid Wilson decided to do that in a gas mask-looking leather helmet for his red carpet debut with a purple-haired Kelly Osbourne. Maria Mendes also went for head gear, hers in gold that fell to her eyes as a complement to a champagne-colored gown.
